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Admission for everyone is always free! Check here for current hours and more.

Visit The Museum Staff Publications Special Event Rental

A concrete cantilevered building against blue sky and green landscaping

Collections arrow_back

The Johnson Museum holds more than 40,000 works in its collection from around the world.

Search All Africa Asia and Pacific Australia, New Guinea, and New Zealand Europe North America South America New to the Collection

A large green wall with oil paintings in gold frames above a tiled floor

Exhibitions arrow_back

Check out what’s on view this season at the Museum and look back through our history.

On View Upcoming Past

A museum interior space with paintings and concrete walls and stairs

Events arrow_back

Free events for everyone, plus special programs for students, families, and more!

Upcoming Past

A concrete-walled lobby with windows, a tiled floor, and a circular desk

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The Johnson Museum actively contributes to the intellectual life of our campus and community.

Students Faculty and Instructors Kids Teachers Initiatives

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Help the Johnson Museum continue its legacy by making a gift today.

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Que se rompe la cuerda (May the rope break), Plate 77 of

Que se rompe la cuerda (May the rope break), Plate 77 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo mismo en otras partes (The same thing elsewhere), Plate 23 of

Lo mismo en otras partes (The same thing elsewhere), Plate 23 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

El sueño de la razon produce monstruos (The sleep of reason produces monsters), plate 43 of

El sueño de la razon produce monstruos (The sleep of reason produces monsters), plate 43 of “Los Caprichos”

Francisco José de Goya

Corrección, plate 46 from

Corrección, plate 46 from “Los Caprichos”

Francisco José de Goya

Self-portrait of Goya (Franco. Goya y Lucientes, Pintor), plate 1 of

Self-portrait of Goya (Franco. Goya y Lucientes, Pintor), plate 1 of “Los Caprichos”

Francisco José de Goya

El si pronuncian y la mano alargan Al primero que llega (They anwer yes and offer their hand to the first-comer), plate 2 of

El si pronuncian y la mano alargan Al primero que llega (They anwer yes and offer their hand to the first-comer), plate 2 of “Los Caprichos”

Francisco José de Goya

Todos Caerán (All shall fall), plate 19 of

Todos Caerán (All shall fall), plate 19 of “Los Caprichos”

Francisco José de Goya

Ya es hora (Time to be off), plate 80 of

Ya es hora (Time to be off), plate 80 of “Los Caprichos”

Francisco José de Goya

introduction (in spanish) to the original edition of

introduction (in spanish) to the original edition of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tristes Presentimientos de lo Que ha de Acontecer (Sad Presentments of what must come to pass), Plate 1 of

Tristes Presentimientos de lo Que ha de Acontecer (Sad Presentments of what must come to pass), Plate 1 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Enterrar y callar (Bury them and keep quiet), Plate 18 of

Enterrar y callar (Bury them and keep quiet), Plate 18 of “The Disasters of War”, 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Que se la llevaron! (And so they kidnapped her!), plate 8 of

Que se la llevaron! (And so they kidnapped her!), plate 8 of “Los Caprichos”

Francisco José de Goya

Muchachos al avío (Up and about), plate 11 of

Muchachos al avío (Up and about), plate 11 of “Los Caprichos”

Francisco José de Goya

Ya tienen asiento (They already have a seat), plate 26 of

Ya tienen asiento (They already have a seat), plate 26 of “Los Caprichos”

Francisco José de Goya

La filiacion (The betrothal), plate 57 of

La filiacion (The betrothal), plate 57 of “Los Caprichos”

Francisco José de Goya

Mejor es holgár (Loafing is better), plate 73 of

Mejor es holgár (Loafing is better), plate 73 of “Los Caprichos”

Francisco José de Goya

No grites, tonta (Don't cry, idiot), plate 74 of

No grites, tonta (Don’t cry, idiot), plate 74 of “Los Caprichos”

Francisco José de Goya

Que Valor! (What Courage!), Plate 7 of

Que Valor! (What Courage!), Plate 7 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Escapan entre las llamas (They escape through the flames), Plate 41 of

Escapan entre las llamas (They escape through the flames), Plate 41 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Tambien esto (So is this), Plate 43 of

Tambien esto (So is this), Plate 43 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Sanos y enfermos (The sound and the sick), Plate 57 of

Sanos y enfermos (The sound and the sick), Plate 57 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

De que sirve una taza? (What good is a single cup?), Plate 59 of

De que sirve una taza? (What good is a single cup?), Plate 59 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Farándula de charlantenes (Troupe of Charlatans), Plate 75 of

Farándula de charlantenes (Troupe of Charlatans), Plate 75 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disparate desordenado (Disordered folly) Disparate matrimonial (Matrimonial folly)

Disparate desordenado (Disordered folly) Disparate matrimonial (Matrimonial folly)

Francisco José de Goya

Andalusian Smuggler

Andalusian Smuggler

Francisco José de Goya

Estan Calientes (It's hot), plate 13 of

Estan Calientes (It’s hot), plate 13 of “Los Caprichos”

Francisco José de Goya

Asta su Abuelo (As far back as grandfather), plate 39 of

Asta su Abuelo (As far back as grandfather), plate 39 of “Los Caprichos”

Francisco José de Goya

Ensayos (Experiments), plate 60 of

Ensayos (Experiments), plate 60 of “Los Caprichos”

Francisco José de Goya

Quien lo creyera! (Who could believe it!), plate 62 of

Quien lo creyera! (Who could believe it!), plate 62 of “Los Caprichos”

Francisco José de Goya

Lo mismo (The same thing), Plate 3 of

Lo mismo (The same thing), Plate 3 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Ya no hay tiempo, Plate 19 of

Ya no hay tiempo, Plate 19 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto es malo (This is bad), Plate 46 of

Esto es malo (This is bad), Plate 46 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las camas de la muerte (The deathbeds), Plate 62 of

Las camas de la muerte (The deathbeds), Plate 62 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Carretadas al cementerio (Cartloads for the Cemetery), Plate 64 of

Carretadas al cementerio (Cartloads for the Cemetery), Plate 64 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Se defiende bien (He defends himself well), Plate 78 of

Se defiende bien (He defends himself well), Plate 78 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Bobalicon (Big Booby)

Bobalicon (Big Booby)

Francisco José de Goya

Disparate Pobre (Poor folly)

Disparate Pobre (Poor folly)

Francisco José de Goya

Modo de Volar (Way of flying)

Modo de Volar (Way of flying)

Francisco José de Goya

Las rinde el sueño (They are overcome with sleep), plate 34 of

Las rinde el sueño (They are overcome with sleep), plate 34 of “Los Caprichos”

Francisco José de Goya

Le descañona (She is plucking him), plate 35 of

Le descañona (She is plucking him), plate 35 of “Los Caprichos”

Francisco José de Goya

Correccion (Correction), plate 46 of

Correccion (Correction), plate 46 of “Los Caprichos”

Francisco José de Goya

Miren que grabes! (Look, how serious they are!), plate 63 of

Miren que grabes! (Look, how serious they are!), plate 63 of “Los Caprichos”

Francisco José de Goya

Allá vá eso (There they go), plate 66 of

Allá vá eso (There they go), plate 66 of “Los Caprichos”

Francisco José de Goya

Se aprovechan (They avail themselves), Plate #16 to The Disasters of War., 1863

Se aprovechan (They avail themselves), Plate #16 to The Disasters of War., 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Fuerte cosa es! (This is too much!), Plate 31 of

Fuerte cosa es! (This is too much!), Plate 31 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Si sabra mas el discipulo (Can the pupil know more?), plate 37 of

Si sabra mas el discipulo (Can the pupil know more?), plate 37 of “Los Caprichos”

Francisco José de Goya

Madre infeliz! (Unhappy mother!), Plate 50 of

Madre infeliz! (Unhappy mother!), Plate 50 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Extraña devocion! (Strange devotion!), Plate 66 of

Extraña devocion! (Strange devotion!), Plate 66 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Que locura! (What madness!), Plate 68 of

Que locura! (What madness!), Plate 68 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Fiero Monsturo! (Fierce monsters), Plate 81 to

Fiero Monsturo! (Fierce monsters), Plate 81 to “The Disasters of War”

Francisco José de Goya

La Lealtad (Loyalty)

La Lealtad (Loyalty)

Francisco José de Goya

Quien mas rendido (Who is more devoted?), plate 27 of

Quien mas rendido (Who is more devoted?), plate 27 of “Los Caprichos”

Francisco José de Goya

Chiton! (Hush!), plate 28 of

Chiton! (Hush!), plate 28 of “Los Caprichos”

Francisco José de Goya

Dios la perdone—Y era su madre (God forgive her—it was her mother), plate 16 of

Dios la perdone—Y era su madre (God forgive her—it was her mother), plate 16 of “Los Caprichos”

Francisco José de Goya

Bien tirada está (It is nicely stretched), plate 17 of

Bien tirada está (It is nicely stretched), plate 17 of “Los Caprichos”

Francisco José de Goya

Y sele quema la casa (And his house is burning), plate 18 of

Y sele quema la casa (And his house is burning), plate 18 of “Los Caprichos”

Francisco José de Goya

Soplones (Squealers), plate 48 of

Soplones (Squealers), plate 48 of “Los Caprichos”

Francisco José de Goya

Duendecitos (Little devils), plate 49 of

Duendecitos (Little devils), plate 49 of “Los Caprichos”

Francisco José de Goya

Los Chinchillas (The chinchillas), plate 50 of

Los Chinchillas (The chinchillas), plate 50 of “Los Caprichos”

Francisco José de Goya

Qué hai que hacer mas? (What more can one do?), Plate 33 of

Qué hai que hacer mas? (What more can one do?), Plate 33 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Por una nabaja (On account of a knife), Plate 34 of

Por una nabaja (On account of a knife), Plate 34 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto Es Lo Verdadero (This is the truth), Plate 82 to

Esto Es Lo Verdadero (This is the truth), Plate 82 to “The Disasters of War”

Francisco José de Goya

Title Page

Title Page

Francisco José de Goya

Disparate de Miedo (Folly of fear)

Disparate de Miedo (Folly of fear)

Francisco José de Goya

Ya van desplumados (They are leaving, plucked), plate 20 of

Ya van desplumados (They are leaving, plucked), plate 20 of “Los Caprichos”

Francisco José de Goya

Porque esconderlos? (Why hide it?), plate 30 of

Porque esconderlos? (Why hide it?), plate 30 of “Los Caprichos”

Francisco José de Goya

Sopla (Blows), plate 69 of

Sopla (Blows), plate 69 of “Los Caprichos”

Francisco José de Goya

Tampoco (Nor do these), Plate 10 of

Tampoco (Nor do these), Plate 10 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Para eso habeis nacido (This is what you were born for), Plate 12 of

Para eso habeis nacido (This is what you were born for), Plate 12 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Populacho (Rabble), Plate 28 of

Populacho (Rabble), Plate 28 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Esto es peor (This is worse), Plate 37 of

Esto es peor (This is worse), Plate 37 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Grande Hazaña! Con Muertos! (Great deeds - against the dead!), Plate 39 of

Grande Hazaña! Con Muertos! (Great deeds – against the dead!), Plate 39 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Espiró sin remedio (There was nothing to be done and he died), Plate 53 of

Espiró sin remedio (There was nothing to be done and he died), Plate 53 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Lo peor es pedir (The worst is to beg), Plate 55 of

Lo peor es pedir (The worst is to beg), Plate 55 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Contra el bien general (Against the common good), plate 71 from the series Los Desastres de la Guerra (The Disasters of War)

Contra el bien general (Against the common good), plate 71 from the series Los Desastres de la Guerra (The Disasters of War)

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disparate puntual: Una reina del circo (Precise Folly: A Circus Queen)

Disparate puntual: Una reina del circo (Precise Folly: A Circus Queen)

Francisco José de Goya

Cruel lástima! (A cruel shame!), Plate 48 of

Cruel lástima! (A cruel shame!), Plate 48 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Qué alboroto es este? (What is this hubbub?), Plate 65 of

Qué alboroto es este? (What is this hubbub?), Plate 65 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disparate Femenino (Feminine folly)

Disparate Femenino (Feminine folly)

Francisco José de Goya

Disparate Claro (Clear folly)

Disparate Claro (Clear folly)

Francisco José de Goya

Que viene el Coco (Here comes the Bogey man), plate 3 of

Que viene el Coco (Here comes the Bogey man), plate 3 of “Los Caprichos”

Francisco José de Goya

Que sacrificio! (What a sacrifice!), plate 14 of

Que sacrificio! (What a sacrifice!), plate 14 of “Los Caprichos”

Francisco José de Goya

Brabisimo! (Bravissimo!), plate 38 of

Brabisimo! (Bravissimo!), plate 38 of “Los Caprichos”

Francisco José de Goya

Y aun no se van! (And they still will not go!), plate 59 of

Y aun no se van! (And they still will not go!), plate 59 of “Los Caprichos”

Francisco José de Goya

Nadie nos ha visto (No one saw us), plate 79 of

Nadie nos ha visto (No one saw us), plate 79 of “Los Caprichos”

Francisco José de Goya

Con razon o sin ella (With or without reason), Plate 2 of

Con razon o sin ella (With or without reason), Plate 2 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Las mugeres dan valor (The women give courage), Plate 4 of

Las mugeres dan valor (The women give courage), Plate 4 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Curarlos, y á otra (Get them well, and on to the next), Plate 20 of

Curarlos, y á otra (Get them well, and on to the next), Plate 20 of “The Disasters of War”, 1863

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Y esto tambien (and this too), Plate 45 of

Y esto tambien (and this too), Plate 45 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Así sucedío (This is how it happened), Plate 47 of

Así sucedío (This is how it happened), Plate 47 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Muertos recogidos (A collection of dead men), Plate 63 of

Muertos recogidos (A collection of dead men), Plate 63 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Murío la verdad (Truth has died), Plate 79 of

Murío la verdad (Truth has died), Plate 79 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Disparate alegre (Merry folly)

Disparate alegre (Merry folly)

Francisco José de Goya

Disparate de Carnaval (Carnival folly)

Disparate de Carnaval (Carnival folly)

Francisco José de Goya

Al Conde Palatino (To the Count Palatine), plate 33 of

Al Conde Palatino (To the Count Palatine), plate 33 of “Los Caprichos”

Francisco José de Goya

Odsequio a el maestro (Homage to the master), plate 47 of

Odsequio a el maestro (Homage to the master), plate 47 of “Los Caprichos”

Francisco José de Goya

Buen Viage (Bon Voyage), plate 64 of

Buen Viage (Bon Voyage), plate 64 of “Los Caprichos”

Francisco José de Goya

Donde vá mamá? (Where is mamma going?), plate 65 of

Donde vá mamá? (Where is mamma going?), plate 65 of “Los Caprichos”

Francisco José de Goya

Title Page: English translation of

Title Page: English translation of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

Y no hai remedio (And it can't be helped), Plate 15 of

Y no hai remedio (And it can’t be helped), Plate 15 of “The Disasters of War”

Francisco José de Goya, Real Academia de Bellas Artes de San Fernando

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